{"id":290,"date":"2013-10-06T13:55:59","date_gmt":"2013-10-06T06:55:59","guid":{"rendered":"https:\/\/krackstudio.com\/?p=290"},"modified":"2015-11-26T18:41:55","modified_gmt":"2015-11-26T11:41:55","slug":"the-paper-trail","status":"publish","type":"post","link":"https:\/\/krackstudio.com\/?p=290","title":{"rendered":"The Paper Trail"},"content":{"rendered":"

The Paper Trail<\/span><\/b><\/p>\n

A workshop about working with paper <\/b><\/p>\n

Presented by ANU School of Art and Krack Studio<\/b><\/p>\n

Indonesian Visual Art Archive<\/b><\/p>\n

10am \u2013 4pm, Friday September 13, 2013<\/b><\/p>\n

\u2018Work on paper\u2019 can mean anything from posters, illustrations, and etchings to papercuts, artist books, or even installations.\u00a0 Works on paper are usually available in editions and are highly sought after by collectors and institutions around the world.<\/p>\n

There is great potential to develop \u2018work on paper\u2019 in Indonesia as an alternative for artists to the mainstream art market. However what holds it back is that few artists here know what the standards are in terms of how to source, work with, and look after paper. Until both artists and collectors are confident that their works meet minimum standards, the opportunities for artists working on paper in Indonesia will remain limited.<\/p>\n

Over the course of this workshop our panel of artists, conservators, academics and collectors will discuss the importance of \u2018archival\u2019 and \u2018conservation\u2019 practices, and how to work with and look after paper. The workshop will focus specifically on the unique conditions and available materials in Indonesia.<\/p>\n

Speakers (session 1)<\/p>\n